About Hating Kapatid:

Hating Kapatid is a story of love for one’s family; a story of sharing time with your love ones and adjusting lives with OFWs. Judy Ann Santos and Sarah Geronimo plays the role of two daughters who adjust upon the arrival of their OFW parents. Judy Ann Santos plays the role of Maria Rica, the big sister of Maria Cecilia, played by Sarah Geronimo. After their parents, starred by Cherrie Pie Picache and Al Tantay, left for abroad, the two then were left in the custody of their Lola Gerty lead by Gina Pareño. The two were inseparable as they grew older. Maria Rica looks after her younger sister, Maria Cecilia. She swore not to leave her when an accident happened in their firecracker business. After years of waiting, their parents finally returned home and moved to Manila. Everything changed. Maria Rica has to turn over what she had raised. Their parents has now the full-support to continue what they had left in the Philippines, especially, their obligation as parents.

Maria Rica has to accept the fact that she has to return the favor. But she is now in a deep crisis in accepting the fact that she cannot rule everything now. With Maria Cecilia on her hand, should she give up her love to her younger sister whom she had given her life all this time?

Ika-Sampu:

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Ika-Sampu is the story of rich girl Alexa Nicole Dela Vega (played by Alexa Arce), who inherited a mansion. Upon getting curious about what had happened with the mansion many years back, she discovered a dark secret of her family history that dates back during the Spanish era. A ghost from the past haunts Alexa as she stayed inside the mansion as she unfolds the mystery of a missing gold coin.

Veteran actor Eddie Garcia plays a Spanish General who gets everything he wants and punishes those who disobeys his rules. A young peasant indio, Clara (played by Aya Montez), was punished when she was accused of stealing the tenth moneda which was given to Heneral Dela Vega as gift from his comrades.

Through nightmares, Alexa fell prey to the ghost of Clara and eventually led to the discovery of Clara‘s remains inside the premises of the mansion.

The movie goes back in time with flash backs from the Spanish period and going back to the present period.

SpedHearts:

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SpEdhearts is a story about SpEd (Special Education) teachers in a small montessori school who are confronted with their own problems and are bound to give up life.

But seeing their SpEd students full of enthusiasm pursuing their own battle, these teachers are just as grateful living normal lives.

SpEd Hearts aims to correct the misconception about special children and to educate every human being that they need really SpEd Hearts as well to understand them.

About Paano Ko Sasabihin?:

A Cinema One Original, Paano Ko Sasabihin? is written and directed by Richard Soriano Legaspi, and features young stars Erich Gonzalez and Enchong Dee. It’s a unique love story that dares to be different in terms of approach and substance, skirting more commercial possibilities, and yet carrying its own winsome charm. Much of the film’s chance for success hinges on its premise on love overcoming physical handicaps where they don’t even exist; and how love can survive when first impressions, expectations and disguises are set aside.

Ehryl (Erich) is part of a scriptwriting team, and has a deaf-mute brother (Wilhelm); her dream being to help her mother purchase the hearing aid her brother badly needs. A chance encounter on the LRT has her watching Mike (Enchong) interacting with a deaf-mute child, and she presumes he’s similarly afflicted. Immediately “signing,” she thinks that by doing so, Mike will be more attracted to her. Mike is a teacher in a School for the Physically Handicapped, and while he, like Ehryl, can speak, he similarly takes her “signing” as an indication that she’s deaf-mute, and does not let on that he can speak. What follows is a whirlwind relationship founded on parallel deceptions — each worried that once either reveals the truth, the other will feel he (or she) were taken advantage of, and so the charade continues. Naturally, this can last only so long, and the film’s premise is to unravel these deceptions, and discover how said love can, or will, survive.

While Enchong is successful in his portrayal, it’s Erich that truly shines, showcasing a gamut of emotions that heralds her as one of the really fine young actresses we should watch out for. Luminous, yet never distanced, she takes this film into the palm of her hand, and turns it into “her project.” There is some stiff dialogue (example, the line about lip-synching), and the plausibility of for how long they can continue the “deaf” charade is stretched, as there are far too many situations when their speaking up would seem natural. Enjoyed the director’s light touch, as in the humorous sequence when a taxi driver presumes the two are deaf, and proceeds to talk about his marriage and sex life. All in all, a film that manages to stay true to its vision, and succeeds on its own merits — an indie film that has the same kind of spirit and charm that (500) Days of Summer had, and the chance to enjoy a degree of mainstream success.